South Pacific: paradise rewritten
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To them, the show may be akin to an elderly family member whom you humor at family get-togethers, letting their slightly outdated choice of language and jokes think, "There is Nothing Like a Dame" slide because you enjoy their overall charm evident in classic songs like "Some Enchanted Evening".
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However, in recent years South Pacific has been the subject of renewed focus, mainly due to the critical and commercial success of the Lincoln Center revival directed by Bartlett Sher. In this production, Sher and his cast and crew made the show more sympathetic to contemporary audiences. Lovens - heimer's study thus comes at an ideal moment, as it rides on the coattails of the resurgence of interest in this show, and delves into the qualities that make it so important to the history of the genre. Lovensheimer's book is the first in the Broadway Legacies series, published by Oxford University Press.
With Geoffrey Block as the series editor, an impressive roster of board members including Stephen Banfield , and volumes that will focus on figures such as Agnes de Mille and works such as Show Boat, the series is an exciting and much-needed source for musical theater scholarship.
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Lovensheimer's work seems an appropriate choice as the flagship title, with its focus on such an iconic yet timely work. The general project of a book on one specific musical should be applauded and emulated, since it allows for nuanced and detailed accounts of a show's development, and its dramatic, cultural, and musical content.
Another recent example of such a focused musical theater study is Oklahoma! The next logical step in musical theater scholarship that we can hope for is that publishers and scholars will also devote in-depth musicological explorations of a single musical to examples that fall outside the "Golden Age.
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Lovensheimer describes South Pacific: Paradise Rewritten as "an investigation of the work's thematic concerns and how they were developed or altered during the creative process" p. He focuses this investigation on three primary themes. First, he looks at the manner in which Rodgers and Hammerstein fine-honed the show "until its confrontational thematic content was thought acceptable for mainstream Broad - way audiences" p. Second, he accounts for changes made not for "thematic concerns" but rather "dramaturgical purposes," i.
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Third, he demonstrates that a close examination of the show's development, and specific instances of its revision, supply "insight into the postwar era in which it was created" p. In addition to these three themes, throughout the book he also explores issues of "gender, postwar colonialism, and the changing image of U.
Loven s - heimer's broad thematic scope, coupled with his detailed analyses, easily warrant the book length of this project, and make each chapter valuable in its own right. Before launching into the specific mate - rial of South Pacific, Lovensheimer provides a history of Rodgers and Hammerstein's personal and professional involvement with political issues.
Rodgers and Hammerstein's. Editorial Reviews.
Although a new book is typically free of any faults or defects, "new Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Finding libraries that hold this item This is the first offering from Oxford University Press's new Broadway Legacies series; if the next volumes are as good as this, the series will contribute greatly to the still under-written history of the Broadway musical.
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- "Foreword to "South Pacific: paradise rewritten" by Jim Lovensheimer" by Geoffrey Block.
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